⭐PUYB Virtual Book Club⭐: Pump Up Your Book Virtual Book Tour Kick Off: BRUSHED OFF by M. Lee Musgrave #mystery

As emerging socialite Camille strives to be accepted into LA's elite, its hottest artists are being murdered and she doesn’t realize she is the key to the mystery…

By M. Lee Musgrave

Title: BRUSHED OFF
Author: M. Lee Musgrave
Publisher: Black Rose Writing
Pages: 186
Genre: Murder Mystery

Artist James Terra and his married lover Nicole find themselves in a tangled web while searching for the killer of LAs hottest artists. Homicide detective Cisco Rivas ask James for help with LAs zany art community. The case quickly turns into a quagmire of intrigue and vicious jealousy amongst the dazzling talent and wealth of schizophrenic Los Angeles. James wants Nicole to leave her husband. When another artist is murdered, she joins the hunt for the killer. A leading art collector is attacked. Cisco is pressured by influential city movers and shakers. Young emerging socialite Camille is up to her neck in strife so James and Nicole make a deal to protect her. Cisco discovers a smuggled exotic drug used by all the suspects including a stealthy porn star. James keeps everyone from knowing his health is precarious. The killer and a secret accomplice targets James, Nicole and Camille.

“Who is killing the contemporary artists of L.A.? Why are they shoving paint brushes down their victims’ throats? Who’s next on the killer’s list? In Brushed Off artist and public-TV art show host James “Sketchy” Terra finds himself smack in the middle of things, racing to help his homicide detective buddy unravel a puzzle as urgent as a splatter painting and as complex as an M.C. Escher drawing. Lee Musgrave’s swift and energetic novel pulls its readers through the studio doors into a brash and entertaining world of big ambitions, bigger egos, love and sex and secrets and shady wheeler-dealing. Calling on his long experience as an artist and curator as he cruises from the beaches and bars and galleries of L.A. to the hidden havens of the Santa Monica Mountains, Musgrave creates a compelling collage of mystery-novel action and art-world exposé as he paints a portrait of the Art of Murder.”

—Bob Hicks, two-time Pulitzer nominee and Senior Editor, Artswatch (orartswatch.org)

“Brushed-Off is a unique, atmospheric work of Los Angeles mystery fiction. Not only does author M. Lee Musgrave provide an engaging case, which ends in an explosive climax, but he also paints a vivid portrait of the city’s beautiful but dangerous art scene from an insider’s perspective. A welcome addition for those who enjoy contemporary L.A. noir.”
— Rick Treon, award-winning author of Deep Background and Let the Guilty Pay

Brushed-off by Lee Musgrave paints an interesting and revealing series of passages about the Los Angeles art scene. The opening picture of LA’s beach community, its oddball characters, mixed with homeless wanderers draws the reader into this story as Sketchy and Duie (his dog) discover a friend dead under a pile of destroyed paintings and a totally wrecked studio. Sketchy, an artist-videographer, and his homicide detective friend set off to find answers. More suspicious deaths in the art community pressure the duo to find the killer. Looking for a link to the murders, Sketchy takes the reader deep into the lives of the artists, collectors, and beautiful people who inhabit this world of creativity. With his video documentary work as cover, the threads he discovers unravel a tapestry of crime that only an artist could perceive in the glare of so many colors.

Musgrave uses a number of conventions to depict details of color, texture, and location to convince the reader that this is a plausible tale told by an observant artist. The twist of a detective using a well-connected artist to investigate leads plays well in this adventure. Musgrave takes the reader on trips through LA and its several neighborhoods with Sketchy chasing leads, dead ends, and discoveries. He hides the motive for murder until the final segments and this lets the reader enjoy the scenes he composes in this montage of Los Angeles from its world renowned beaches to the mansions overlooking them. Brushed-off is an enjoyable mystery, especially for fans of the art world.

—Review Rating: 5 Stars – Cecil Brewer, critic Readers Favorite

The gathered early morning beach crowd seemed excited yet strangely aghast. The thought occurred to me thatperhaps a street artist had left another four-letter graffiti epistle on the exterior of Brice's studio. The last one had been extremely insulting to him and you could still see a ghost image of it under the gray paint which had been hastily slapped over it. As I got closer, no new graffiti was in sight so I scanned the swarm of joggers, strollers, and assorted exercise enthusiasts and spotted old Mac sitting on the curb near the front. He's the unofficial street gleaner around the hood and lives in the alley beneath some stairs. Gesturing for Duie to stay by my side, I approached the oldman.
     "Kind ofearly for you, isn't it Mac?"
     His right hand rose slowly to mop his leathery face. He lifted his head, strained to focus his watery blood-shot eyes and spoke in a low, sadly earnest manner.
     "He was always good to me. You know, one of the few who would share like you do.”
     Even with the more than usual layers of dirt on his face, it was obvious he was distraught. He had spoken more words in one sentence than I had ever heard him utter before.
     "Do you mean Brice? Did something happen?" I said.
     Apprehensively I sat down beside him on the awkwardconcrete. Mac dropped his hand and looked directly at me. Perhapsfor the first time I noticed how aged he really was.
     "I was passing by, you know, working the street, looking for little favors people leave for me. You know. Like you do.”
      His voice was more somber as he fondled the buttons of his multi-stained khaki shirt.
Embarrassment rushed across my face. Themost I had ever given him was the tattered Macintosh he had worn for the past two years. He is never seen without it. In fact, that's why everyone calls him Mac. None of us ever bothered to ask him his real name. It was a way to be friendly without causing discomfort or getting too involved.
     Shamed, I stoodup. A strange brew of anxiety and curiosity led methrough the small group near the door and straight into Brice's studio. Duie rushed in behind me as my olfactory receptors signaled something peculiar wafting from inside. It was a bizarre mixture of paint fumes and a grotesque unrecognizable spice. Duie even sneezed.
     Brice was never a tidy artist, but a quick glance revealed the normal casualness of his studio was now in complete chaos. A strong feeling that I was intrudingcrawled up my back.
"Who does he think he is?" someone behind me said.I wanted to answer, but somehow I knew my voice was not the one I wanted to hear.
    Paintings were thrown everywhere. Manyhad broken stretcher bars and holes clobbered through them. The scene looked as though a small tornado had come through the open skylight, had a kick-boxer fit, and left without disturbing anything else in the neighborhood. Every quart-sized canister of paint Brice owned had been opened and its contents generously distributedintoa Pollock-like camouflage that coveredeverything.
     "Surely Mac didn't do this?" I whispered to Duie as he instinctively leaned against my leg. "No, Brice maybe, but not Mac."
     Everyartist goes a little wacko once in a while. Maybe Bricewas dueling with a yellow scalene and things got out of hand. My notion was answered before I could exhale.
     Beyond the turned over easel, sticking out from behind more broken paintings were two aged Teva sandals dappled with a rainbow of paint splatters. The heels were together, thetoes akimbo. I froze in place as Duie tiptoed toward them with his neck stretched and nostrils flared.
     As I stepped carefully around the disquieting pile, trying not to disturb even the smallest fallen brush or blob of paintI sawa mass of oozing gunk. It was Brice, on his back. Hisarms wereat his side and hisface wascovered in thick, gooey globs of Hooker’s Green.
     He looked exhausted, as though he’d copulated with every painting he ever sired. Even though the pile of canvases, paint canisters, and brushes covering him was a mess, for one sharp yet fleeting moment it impacted my visual cortex as if the scene was an intentional edifice.
     Myeyes focused on his contorted mouth. It was open and overflowing with an ugly mixture of green paint and dark red blood. In the middle, where his tongue should be, was a smidgen of gold. It’svery familiar blunted form was instantly recognizable. I bent down for a closer look. I was right. Itwas the handle end of a number 15 size brush. You could still read the manufacturer’s code number peeking through a smear of green paint.
     Hoping Brice might take a big gasp of air if I removed it, I reached my hand forward and instantly felt a stout vise grip my shoulder.
     “Don’t,” a voice of authority said.
     It was Cisco. I stood straight up, perhaps a little too quickly for I felt a brief twinge of vertigo. I call him Cisco. Hisreal name is Francisco Rivas, police Detective Rivas.
     “You know better than that,” he said.
    I suddenly felt weary as the colors surrounding us swirled like the merry-go-round at the pier and the vise moved to grip my arm. I could even hear the faint tinny sound of mechanical music as if it were far off in the distance or at least buried deep within my memory.
    Cisco’s focused stare at my anesthetized face caused the illusory music to quickly fade and the circling kaleidoscope toresume its previous resting place. I began to feel lucid again, but my frame of vision felt shaken and quirky.
     “Go outside, Sketchy,” he said in an almost inaudible voice. “And take Duie with you.”
      With faded breath, I uttered, “Hemay still have a chance.”       Cisco glowered at me again, gestured toward the door and put his hands on his hips, revealing his badge and gun. The move was an obvious signal for me to leave. I did.

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Author/Artist, M. Lee Musgrave holds a Master of Art degree from CSU, Los Angeles. He is the recipient of a National Endowment for Arts Fellowship. His artwork has been in solo and group exhibitions world-wide. As a Professor of Art and curator he organized hundreds of exhibitions involving artists, collectors and a variety of related enthusiast. Those many experiences and his ongoing personal art activities inform his writing about LA’s exciting art community.