Monday, November 30, 2020

Pump Up Your Book Virtual Book Tour Kick Off: THE KISS THAT SAVED CHRISTMAS by Elysia Strife #Holiday #Romance



She doesn't want to fall for him. He can't help but fall for her...

The Kiss That Saved Christmas

By Elysia Strife

Claire’s husband passed away two years ago this Christmas, leaving her alone and in charge of a beautiful and overwhelming cabin venue in the Montana mountains. She’s low on cash, the truck won’t start, and fewer people are calling in event requests.

Every past assistant has been problematic and disappointing. With one final wedding scheduled for the year, Claire is desperate to make a good impression and needs the property in top shape. Only one candidate remains: Zach.

Zach is prior service, down on his luck, and shamed by the town for the actions of his youth. Even after a decade of service, he can’t escape the gossip.
Claire has no option but to entrust him with the future of Briar Ridge—her future. She just wished he didn’t have to remind her so much of her late husband. Yet Zach is different, bringing with his burdens an unexpectedly sweet side.
Zach is full of surprises.

She doesn’t want to fall for him.

He can’t help but fall for her.

A sweet holiday romance with a few curses and some violence.



Chapter 1

Claire lay sprawled out on the leather sofa in the timber-framed great room, feeling a kinship with the skeleton of what should’ve been something beautiful and full of life. The stone fireplace crackled softly before her. At its heart, flames cast the only light and warmth in the empty lodge. Floor-to-ceiling windows exposed the brewing winter storm outside Briar Ridge, snowflakes piling up against the glass like the guilt in her stomach.

She hated the notion she needed to hire a man. Ignoring the ache in her hands from working on her husband’s old truck, she gathered his worn flannel shirt beneath her head. Briar Ridge was her late husband’s dream, and she didn’t want to lose her last piece of him.

Claire had taken time off from her second job, a remote position writing articles for an online newspaper, to focus on the venue. There were still too many things to prepare for her last scheduled wedding of the season to do everything alone. Mr. Carver was her only applicant, and she couldn’t wait. The lodge wouldn’t pay for itself.

Mr. Carver was her last hope.

She drew in the last breath of her husband’s piney, metal-slag scent. Then it was gone—like footprints in the sands of a honeymoon in Hawaii. Claire clutched the fabric of his shirt. Her body ached, wishing to lie next to him once more. Despite her fluffy wool socks, her feet were cold. Nothing could combat the chill that followed that phone call. She had to love a soldier.

“I'm not ready.”

The loss of their child only made her heartbreak harder to bear. Ghost pains crept through her core. She forced herself to focus on the future of Briar Ridge. Two weeks to the wedding. Two weeks after, Christmas—the day her dreams crumbled.

Weddings gave the lodge life and a chance to survive while keeping her mind occupied. She refused to let Briar Ridge go under without a fight. Stanly deserved that much, at least.

Tori, her last assistant, had stolen her husband’s Purple Heart from the desk in their old bedroom. Sheriff Riviera had returned Stanly’s medal, but the violation of that respect boundary broke Claire. He’d died for his country, and no one cared but her. Not even his family.

She clenched her teeth and stared into the fire. Tori had the code to the safe. Cash regularly disappeared in small amounts. Claire couldn’t seem to catch Tori with it. Five thousand dollars had gone missing in less than eight months.

Forehead throbbing, Claire rubbed the spot between her eyebrows to push back the ache. Firing the young woman had made her feel better, but Claire never found the money.

Her arms quivered in protest when she pushed herself up. Claire wiped the moisture from her cheeks and laid Stanly’s shirt tenderly in her lap. The ad for a new venue assistant she'd placed in the local newspaper sat on the oak coffee table in front of her. Regret made her pick it up.

The rustle of paper echoed throughout the empty house. “Forgive me, Stanly. I need someone who can do the heavier stuff I can't.” I’ve lost my appetite recently. I don’t know how much longer I can go on without you, out here, alone.

Her interview with Mr. Carver was scheduled for the next morning.

Tossing the ad back on the table, she raked her hands through her hair and leaned forward. She'd tried to eat dinner but lost interest. Her stomach did flips over the idea of another man being in the building, even if it was just for work. I’m not trying to be unfaithful to you, she thought, hoping Stanly was listening.

The last two years had taken fifteen pounds from her. If she didn't make a change, she was bound to end up with her husband.

She didn't always fight the idea.

At night she dreamt of little feet thundering through the halls like they had always wanted, the reason he built the lodge. 

“It's for family, my big family!” He'd take her on a tour now and then, stopping by each of the twenty rooms. Stanly would tell her who could stay where for the holidays and which room would be the nursery. “You can decorate it however you want. I don't even care if you paint the wood pink.” His nose would wrinkle in mock disgust, and she'd giggle. 

Claire laughed once to herself but lacked the strength to smile. Collecting his shirt from her lap, she trudged down the hall to their old room and padded across the wood floor to the closet. She freed a hanger from the rack, deftly slipping it inside the shoulders of the red and brown plaid shirt with cold fingers. Claire clenched her teeth and hung the shirt back with the rest. 

His scent had faded from the others. They hung like fabric ghosts of the man he once was.

Falling in against the soft pillow of his shirts, she buried her nose in the flannel again. Claire drew in only a musty whiff of old cotton and dust. 

“I'm trying to do what you made me promise.” She shivered. “Fill this home with life, with love, and never give up on what I want. It's hard without you.” You’re what I want.

Claire pressed a trembling kiss above the chest pocket of a shirt and forced herself to back away. Her body felt weak, her joints complaining at every movement.

I have to be strong—for him. Claire strained to steady her muscles. The effort was exhausting, and she decided to save her energy for the morning. She didn’t want Mr. Carver to think she was a pushover or fragile. Claire couldn’t afford to be taken advantage of again.

She wondered what his personality would be like. Claire had fired the last three girls. She’d considered an age requirement in the ad, though it wasn't always a sure indicator of maturity in her mind. 

Releasing a weighted breath that puffed out her cheeks, she flopped back on their bed. Claire tucked her feet beneath the comforter and replayed the phone call. 

His name was Zach. He had mechanical skills and could lift over 100 lbs.

Good for him.

But could he be polite with guests? Could he stay clean and drug-free? What was his work ethic like? Was he trustworthy? Or would he take advantage of her like the other assistants? Steal like Tori? Get caught in the shed with a significant other like Amber? Be lazy, worthless help like Gretchen, who preferred her phone to guests?

Claire rubbed her face and groaned. Tomorrow was going to be more stressful than hosting a wedding with a runaway bride.



“A beautiful, gentle story with believable characters that have heart, feelings & Christian values.” – Danica McMahon (Goodreads Review) 5 Stars


Amazon → https://www.amazon.com/dp/B08669F4SH














An optimist and opportunist, Strife is a self-made author, cover designer, and editor. Best known as Elysia Strife, who writes primarily sweet holiday romance, she most loves writing dystopian science fiction fantasy novels under the pseudonym variation E. L. Strife. She is an upcoming author of young adult fantasy as Elysia Lumen and looks forward to diving deeper into the world of magic.

Strife has toured castles, haunted houses, frozen caves, lava tubes, and concentration camps. She’s a hopeless empath who needs the quiescence of hiking in the Cascades, camping, and snowboarding to recharge. She also enjoys reading on rainy and snowy mornings with a fire going, even if it’s just the fake one in her RV. She craves learning new things, like how to work on her 1981 Corvette, her jeep, and the four-wheeler that just won’t budge.

Strife lives with an amazing man who can build anything he puts his mind to and a rescued dog that steals socks and chases the vacuum. Together, they travel the country—from the golden plains of North Dakota to the warm ocean of the southern Texas coast and back to the green valleys and vineyards of Oregon. Anywhere is home as long as they’re together.

If you’d like to know when Strife’s next books will be out, and to ensure you hear about her giveaways, visit her website: elstrife.com and subscribe via the links on her homepage.

 


Website: http://www.elstrife.com

Twitter: https://twitter.com/ElysiaLStrife

Facebook: https://www.facebook.com/ElysiaStrife








Sunday, November 22, 2020

Pump Up Your Book Virtual Book Tour Kick Off: SAFE HARBOR by Gerhardt Roberts #Historical #WWII #Romance

 


Safety is a foreign word, danger is everywhere and love is a luxury they can’t afford...





By Gerhardt Roberts





In World War II Berlin, Jews such as Erich Reinhold, who can pass for Aryan, and his sweetheart, Nessa Baumgartner, go underground. In a city where Jewish life is being snuffed out, they soon find themselves in a world of false identification papers and forged ration cards, risking their lives to help others escape to freedom. Safety is a foreign word, danger is everywhere and love is a luxury they can’t afford. But maybe, in spite of danger and separation, they will find their safe harbor.




Amazon → https://amzn.to/31yhqKH









R.F. Rabe (Gerhardt Roberts) grew up in Germany and has been a Professor of German for the past 35 years at various colleges and universities. In the 1970’s he served in the Army Security Agency as a German linguist and intelligence analyst. His passion is all things German: the language, the culture and the history.

You can visit his website at http://www.rfrabe.weebly.com.

 




http://www.pumpupyourbook.com

Tuesday, November 17, 2020

Pump Up Your Book Virtual Book Tour Kick Off: SERPENT RISING by Victor Acquista @victoracquista #mystery #suspense #thriller


Serena Mendez is haunted and she is hunted…

SERPENT RISING

By Victor Acquista




Serena Mendez is haunted and she is hunted…

… Haunted by trauma—terrified and scarred as a young child, when a secret initiation into an ancient order of Lightbringers went horribly wrong. Unaware of the power latent in her blood, she is haunted by a life out of sync with her true identity. At twenty-one, she is abrasive, jobless, in debt, and addicted to sedatives. Haunted by her past, she knows nothing of her destiny.

… Hunted by an enemy—ruthless and powerful, a Brotherhood that has been pitted against the Luminarian Sects for thousands of years. An ancient struggle continues—The War of the Two Serpents—a saga extending back to the dawn of civilization, to the time of the second breaking, when the elite sought dominion over the masses. Those serving truth and light opposed these dark forces. In return they were persecuted, burned as witches, suppressed and nearly defeated by the powers of darkness.

But the flame was not extinguished.

An old Navajo dream-walker had a plan to open the seven chakras mystically binding Serena’s power. To fulfill her true destiny, to unleash the latent power within her blood, Serena journeys to six continents where she uncovers the truth of who she is, and what she must do.

A warrior stirs, a Lightbringer. She is Serena Mendez. She is awakening. She is a Candelaria…

Serpent Rising is a story of unfulfilled destiny, discovery, transformation, and courage to embrace the truth.


  “Author Victor Acquista has opened a pandora’s box of adventure in his new breath-taking thriller, Serpent Rising. I was swept away from the first page in this wonder-filled, mystical, and compelling novel. Cleverly plotted with a female protagonist, Serena Mendez, that is truly original in ancestry, yet very 21st century-real, with personal problems that she manages to set aside to pursue the very truth of her being. We join her in this a non-stop rush that mixes equal parts of  history, myth, and lore that I didn’t want to ever end! I’m already looking forward to more of Serena again and again. Acquista is the obvious heir apparent to the globe-trotting, can’t-be-put-down-novels such as The DaVinci Code and The House Of Secrets. Move over Dan Brown and Brad Meltzer, you have deserving company at your table with Serpent Rising!”

— Patrick Kendrick, award-winning author of American Ripper: The Enigma Of America’s Serial Killer Cop. 

 

Amazon → https://amzn.to/3inT9gU

 Barnes & Noble → https://bit.ly/3k1RqOK

BHC Press → https://www.bhcpress.com/Books_Acquista_Serpent_Rising.html


Attention!!!

BLACK FRIDAY SALE

Get your e-copy of SERPENT RISING at Amazon for ONLY $1.99 (reg. priced at $7.99)!!

November 27 - 30 are the only days to pick up your copy!!!





CHAPTER ONE

 

Impact…crash…darkness. The bedside table lamp and shattered light bulb lay on the floor, but Serena remained unmoved, without will or inclination to clean up the mess. She stared at the ceiling of her tiny efficiency apartment, lit solely by the eerie neon-green from the alarm clock’s LED. The glass fragments glittered, taunting her to get out of bed. Instead, she pondered the much larger mess of her life. She lay still, in a familiar paralysis of apathy. Somehow, a glimmer of hope broke through her complacence; she reached over and forced herself to set the alarm. Tomorrow she had another job interview. Desperation crowded out the apathy. Constricted by overwhelming inner and outer darkness, Serena’s breath became shallow. Her dry mouth and mounting anxiety muted her scream at life’s injustice into a muffled croak. Tomorrow would come…nothing would change. 
 
Survival. A day without struggle followed by a night of peaceful rest—why did achieving this seem so elusive? Agitated, she threw the bedcovers aside. How much longer could this torture go on? Awake and staring overhead, she felt every bit as broken as the glass shards. Her light within had all but extinguished itself, not unlike the fragile bulb. Could tomorrow be her first step out from the deep dark hole that hollowed her insides? Tomorrow she had another job interview. She double-checked the alarm setting. Serena’s fingertips ached as she desperately clung to the possibility of change. 
 
 Reaching into her bedside drawer, she randomly pulled out some meds and dry-swallowed two pills. Serena didn’t look to check what they were; she kept four or five different sleep meds stashed there. Not that it mattered. None of them worked. Serena needed to speak to Dr. Jenkins about that. Sleep did not come easily to the twenty-one-year-old woman afflicted with anxiety, plagued by PTSD, her life in shambles. 
 
 Sometimes it seemed better to stay awake. Steadily worsening vivid nightmares had been infiltrating her dreams. She tossed and turned, trying to stave off the inevitable, trying to deceive herself that tonight the meds would work. Ensnared between apathy and hope, Serena nestled into a crevice of momentary comfort. Her breathing slowed; the cadence of soft snores interrupted the green stillness. 
 
 It felt cold in the cave. Even lying on the sleeping rug, the rock floor was hard. She shivered, more from fear than the cold. Why did her great aunt, her shibízhí insist she sleep here alone tonight? She remembered her shibízhí saying with no moon the cave would be black. Serena blinked, but it didn’t matter whether her eyes were open or closed; she couldn’t tell the difference. Repeating and following her aunt’s instructions, she crawled to the edge of the pool then stood up to her knees in the still water. Keep your eyes open. Keep your eyes open. Her shibízhí had said that was the most important thing, not to close her eyes. But she couldn’t see anything. She wanted to be brave; she didn’t want to disappoint her shibízhí, but she was scared. It was so dark. 
 
That’s when she saw something. It was just a blur, a smudge of light. Something glowed and slowly took shape—long and curved, it moved toward her. Immersed in blackness, water up to her knees, the creature moved closer. Wavelets rippled against her small trembling body. What was it? The creature glowed with the shape-shifting form of something. She strained her eyes. It looked like a… “No!” she screamed, shutting her eyes and not daring to move. “Shibízhí, help me!” There was no response, and then it touched her skin, curling around her leg. 
 
Serena bolted up, heart pounding and sweating as she reached to turn on the bedside table lamp, but the broken light with its shattered bulb still lay on the floor. Partly yelling, partly sobbing, “Damn dream! Goddamned dream! Goddamned aunt! Eleven years and you still haunt me!” 
 
She steadied herself by taking two more pills. Wide awake, lying in near total darkness and still terrified, she tried to fall back to sleep. Jaws clenched tight, trying in vain to stop her teeth from chattering; she shivered, gooseflesh covering her arms held close against her chest. It touched me. It touched me. That’s never happened before…





 




Victor Acquista has become an international author and speaker following his careers as a primary-care physician and medical executive. He is known for “Writing to Raise Consciousness.” His multi-genre works include fiction and nonfiction and often incorporate social messaging to engage readers in thought-provoking themes.

He is a member of the Authors Guild, the Mystery Writers of America, the Florida Writers Association, Writers Co-op, and is a Knight of the Sci-Fi Roundtable.

When not pondering the big questions in life and what’s for dinner, he enjoys gardening and cooking. He lives with his wife and dog in Ave Maria, Florida.

 

Website: https://victoracquista.com/

Twitter: https://twitter.com/VictorAcquista

Facebook: https://www.facebook.com/victoracquistaauthor/



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Sunday, November 15, 2020

Pump Up Your Book Virtual Book Tour Kick Off: The Color of Together by Milton Brasher-Cunningham #Nonfiction #Christian

 

A book written with honesty and empathy about things common to us all…

THE COLOR OF TOGETHER:
MIXED METAPHORS OF CONNECTEDNESS

By Milton Brasher-Cunningham




Title: The Color of Together: Mixed Metaphors of Connectedness
Author: Milton Brasher Cunningham
Publisher: Light Messages Publishing
Pages: 160
Genre: Christian Nonfiction

The Color of Together begins with the primary colors of life–grief, grace, and gratitude–and enlarges the palette to talk about the work of art that is our life together in these days. The idea for the book began with understanding that grief is not something we get over or work through, but something we learn to move around in–something that colors our lives. Grace is the other given. Gratitude is the response to both that offers the possibility of both healing and hope.



“Locating ourselves in the adventure of life requires reliable tools for exploration. Milton Brasher-Cunningham gives us finely-tuned metaphorical gyroscopes to navigate our way with God, others and even ourselves. The Color of Together will help us find our place again and again along the way.”  ~ Rev. Dr. George A. Mason, President, Faith Commons, Dallas, Texas.

“In his beautiful new book, Milton Brasher-Cunningham shares arresting thoughts on grief, grace, and gratitude. He claims that we are all shaped by our sorrows and generously tells his own stories of loss. All the while, he leads us toward hope. The Color of Together is both poetic and instructive, relatable and deeply philosophical. It awakened my heart to read this book; I hope it will do the same for you.” –Jennifer Grant, author of A Little Blue Bottle

Amazon → https://amzn.to/30Urxsj

 Barnes & Noble → https://bit.ly/3jZ8OD6




Chapter 1

Sometime after we moved to Boston, Ginger, my wife, signed me up for a watercolor class at the Boston Center for Adult Education. Our first task was to make a color wheel. We set the three primary colors—red, blue, and yellow—equidistant from each other around a circle we had drawn on the paper, and then began mixing them to show the shades it took to move from one to the other. The purples, greens, and oranges that filled in the circle illustrated the relationships between the primaries, which stood in such contrast to one another on their own. Wherever we started on the wheel, there was a connection, a way to get to the other colors.

Color is more than pigment. It is figment as well. For us to see color requires an act of imagination and an understanding of relationship.

One Christmas after the watercolors, Ginger enrolled me in an iconography class at Andover Newton Theological School. I spent over a year learning the spiritual practice from a wonderful man named Christopher Gosey. Before we ever picked up a brush, we learned the vocabulary connected to what we were doing. We were not going to paint the icons, Chris said, we were going to write them.

As one who has learned to play with words more easily than with paint, the verb choice caught me. Good writing is descriptive and evocative. The challenge is to show, not tell; to reveal. Good writing tells a story, takes us on a journey, connects us to something larger.

The “cartoons”—the outlines of the figures we would write—had been passed down for centuries, much like basic plot structures in literature, or the elements of grammar and style.

The point of our work was to be faithful to those who had gone before and to what they had handed down, rather than to try and be original. Our offering was to trace the lines others had made and then color them with pigments we had mixed not so we could worship the icon, but so we could open a “window to heaven” to create a “thin place” for connection to God.

The phrase thin place entered our vocabulary through the earthy spirituality of Celtic Christianity. It describes the places where the border between what is seen and what is unseen becomes permeable. Liminal. Thin. Translucent. Transcendent.

It is a sacred space of disquietude; a turbulent silence where things are still and vibrant in the same moment.

As I sat in the sun-drenched room of the aging building, listening to recordings of Russian church bells, and learning how to write my brush across the blank parchment-covered block etched with the image of Mary, I came to understand more of what Jesus meant when he said, “Lose your life to find it.”

Our paint was almost translucent, by design. We mixed our colors by adding natural pigments to acrylic medium. In ancient days, the pigments were blended with egg yolks. The practice of iconography is more about prayer than painting; the necessary repetition was meditative and focusing. As we laid down the colors, we moved from heavier shades to lighter ones, choreography that held intentional theological significance. The first strokes of the lighter colors on the deep background didn’t seem to have much effect, yet, over time, and with intentional repetition, the colors took hold. The deeper tones became the background—the foundation—for the illuminating presence.

Without the contrast, the light would have had little significance. The base substances from which the pigments came were earthy and natural. The black was made from ashes. Some of the browns were made of dirt or powdered stone. At every level, the experience rubbed heaven and earth against each other like sticks to start a fire.

The work of icon writing is deliberate. To get a color to show up on the icon meant going over each line twenty to forty times. The spiritual practice was to turn the repetition into ritual—a sort of physical prayer. The move from heavier tones to lighter ones felt counterintuitive until I began to see the colors dawn on the icon. We traced images that had been handed down across centuries, much like we repeat rituals in worship. Everything about it was fraught with a sense of connectedness, a new way of seeing who we were in the context of who had come before and who would follow. The whole enterprise was steeped in metaphor.

In his letter to the Ephesian church, Paul wrote, “We are God’s work of art, created in Christ Jesus for the good works which God has already designated to make up our way of life.”

In a sermon on that verse, Ginger said, “We are dust, which becomes pigment in God’s artwork.” The pigments we used to write icons were made from earthy substances, just as we are.

The Greek word translated as work of art is poiema, which even my spell check knows is the root word of poem. Paul said, “We are God’s work of art.” Not works. Work. Not I. We. Together we become the artwork, handmade pigments illuminated by God’s presence, as it has been from the dawn of creation.

Riding the color metaphor train took me to the field of the philosophy of color, which is as esoteric as it sounds, and perhaps, not a journey everyone wants to make. But I took a trip, nonetheless, as I wondered about grief as a primary color.

Philosophers look at the way humans see color, or whether we actually see color at all. One of the ways of seeing is called color adverbialism, which is to say, we do not see red, as much as we see red-ly. What that means is there is a relationship between the object, the perceiver, and the context—another relational trinity.

The philosopher articulating the theory was not being intentionally metaphorical when she said, “Color vision is as a way of seeing things—flowers, tables, ladybirds—not, in the first instance, a way of seeing the colors.” What I heard her say was the colors we see have to be connected to something or someone for them to be significant.

In 2020, our sense of what it means to be together has been heavily shaded by the COVID-19 pandemic. We have lived in quarantine, without the ability to gather, to hug those we love, to share a meal, to go to a baseball game, or to share a pew at church. I have watched people gather on the Guilford Green
in groups of four or five, separating their lawn chairs to an appropriate distance just to be together. As Zoom has begun to feel like a necessary appliance in our lives, we have found ways to change backgrounds so we are surrounded by palm trees and superheroes in our little square on the screen. We are colored by our losses in ways our world has not known so pervasively for over a century.

Life, however, is a litany of losses in any age: failures, injuries, disappointments, betrayals, missed moments, things done and left undone, deaths, falls, illnesses, fears, lowered expectations. Life is also a compendium of blessings, of things for which we can be thankful: families, ball games, good food, starry nights, first kisses and last ones, friends, sunshine, spring rains, puppies, and pie. And life is an abundance of grace, of those things we stumble into, that find us, that surprise us and ambush us with the reminder of a relentless love that will not let us go. All three are true all the time.

Though we often feel them singularly because of our limitations, one is not there without the others. They are the primary colors we see in the context of relationships, with something or someone, in any moment. When we see grief-ly, grateful-ly, and grace-ly, we can see the color of together.














Milton Brasher-Cunningham was born in Texas, grew up in Africa, and has spent the last thirty years in New England and North Carolina. He is an ordained minister in the United Church of Christ, and has worked as a high school English teacher, a professional chef, a trainer for Apple, and is now an editor. He is the author of three books, Keeping the Feast: Metaphors for the MealThis Must Be the Place: Reflections on Home, and his latest, The Color of Together.

He loves the Boston Red Sox, his mini schnauzers, handmade music, and feeding people. He lives in Guilford, Connecticut, with Ginger, his wife, and their three Schnauzers. He writes regularly at donteatalone.com.







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