Misfits and Supermen by Steve Starger #memoir

MISFITS AND SUPERMEN by Steve Starger, Memoir, 178 pp.

Title: MISFITS AND SUPERMEN: TWO BROTHERS’ JOURNEY ALONG THE SPECTRUM.
Author: Steve Starger
Publisher: Friesen Press
Pages: 178
Genre: Memoir

The bond of brotherhood is hard to break, but a lifetime of dealing with familial expectation, bitterness, and psychological disorders can bend and warp it into something nearly unrecognizable. This story tells the tale of two brothers: Melvyn, the elder, whose amalgamation of disorders leave him completely unable to function within society; and Stephen, the younger, whose own emotional and psychological issues are overshadowed to the point where he becomes little more than a pale and twisted reflection of his brother.

On different ends of the same spectrum, Melvyn is blissfully unaware of their troubling connection (or so his brother can only assume), but for Stephen, it is undeniable. He lives with it every day, sensing his own otherness in every twitch, outburst, and inability of his brother to overcome his inner demons. Left largely on his own to deal with his peculiarities-while carrying the burden of being “the normal one,” of whom much is expected- Stephen begins a complicated and unpredictable journey, one which will take him as far from his brother as he can manage to get, even as it brings them inexorably closer.

A portion of proceeds from this book will go toward the Camp Cuheca Scholarship – Melvyn D. Starger fund at Waterford Country School, Quaker Hill, CT., to help fund a two-week summer residency at the camp. For more information about Waterford Country School, please email development@waterforddcs.org.

“A finely crafted, affecting memoir of two brothers.”
— Kirkus Reviews

“If you want an honest book about life with mental illness in the family, this is it. Great writing. Brutally honest. Hard to put it down. Great stories about CT, NY and CA from the 1940s to 2000.”
–Amazon Reviewer

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On a clear, cool night early in the spring of 1967, I lay on a stone wall fronting Long Island Sound, waiting for the acid to come on. I was in the back yard of a mansion in Stamford, Connecticut, staring into the star-filled sky, listening to the small waves gurgling against the shoreline. My mind was serene, but I was nervous, as always when I took acid or some other psychedelic substance. The unpredictability of the drug both thrilled me and made me anxious. Where will I go? What will I see? What will happen? Will I survive? If I lose myself on this plane of existence, what will come next?

My expectation and anxiety were more intense than usual this night. I had dropped what I had been told was two-hundred-fifty micrograms of pure Sandoz LSD-25, the Holy Grail of psychedelics. Or something very much like it.

I had no idea who obtained this rare specimen of a heralded consciousness-altering substance or who manufactured it, but it showed up at the house where my band, NGC 4594, had camped to rehearse. The sprawling home was a prime example of a southern Connecticut Gold Coast mansion; it belonged to the family of our flute and mouth-harp player.

The tablet I had swallowed, about the size and color of an adult dose of aspirin, purportedly had the purity and power of LSD-25, the legendary psychedelic accidentally discovered at Sandoz Laboratories, in Basel, Switzerland, by a chemist named Albert Hoffman, in 1938. Dr. Hoffman’s cosmic experience was decades in the past, but this dose was supposed to be light-years beyond any acid I had previously taken.

The pitch that accompanied this acid could have been lifted from a used-car salesman’s book, but if the claim was correct, I was in for a journey to the center of consciousness, where “clear light” waited to bathe me in its cleansing glow. I had taken other “clean” acid trips, uncut with amphetamines to make the trip come on faster, and free of other additives favored by the street “acid men” to stretch their product for maximum profits.

As the acid slowly insinuated itself into my nervous system (one test of purity is the length of time it takes for uncut LSD to start working, about forty-five minutes to an hour), I felt the heightened combination of exhilaration and anxiety that signals the acid beginning to work its magic.

A gentle nudging began to assert itself at the edges of my consciousness. I gave myself over to the Sandoz simulacrum and let it take me where it would.

Over the course of what seemed like millennia, the acid took me far away, into the vast field of stars above me, and into the water, where I imprinted my image on the surface over and over, until I became an armada of insubstantial clones breaking on the shore. In a quick burst of rational thought, I thought, so, this is what the shouting is all about over Sandoz. Well ... let it come down!

Inside the house, NGC was playing to a group of local day trippers who showed up every Friday night to get high and listen to us. We had moved into the mansion from Storrs, Connecticut a couple of months before and had become the latest attraction for the local sensation seekers.

As I lay wrapped in ecstasy in Stamford, my brother, Melvyn Starger, lay on his small bed in his small cell of a room on the opposite side of the state, at Norwich State Hospital. He too had taken drugs, ones very different from what I had consumed by choice. He was not given a choice in the matter; his drugs were prescribed and mandatory. His meds probably were benzodiazepines, psychoactive medications that produced sedative, hypnotic, anti-convulsive, and muscle relaxant effects. In other words, they were used to control patients’ behaviors, which could be explosive and unpredictable.

Someone meeting Melvyn for the first time would wonder why it was necessary to give him medicine designed to pacify him. He seemed so calm and diffident to most people. But he had a temper that could get way out of hand, and it could explode in seconds. He was too thin and under-muscled to do any physical damage to people, but he could be scary. He could yell at the top of his range for a long time.

I can’t presume to know where Melvyn’s mind went when he was on his meds. His inner workings had been a mystery to me and my parents for many years. I did my best to hold off thoughts of him as I peaked on the acid. Had I thought of him in this blissful state, I thought I would freak out (as we used to say). That would have been a shame, because this trip was one of a kind. Nothing should be allowed to ruin it. Not that I hadn’t thought of my brother over the years since we were kids, but there were times when it just wouldn’t have been fair to let reality intrude on my experience.

My efforts to keep my brother at bay have never worked. He was always there, ready and waiting—my constant Virgil on our travels together. He had appeared to me many times over the years, a stoop-shouldered wraith shambling through my thoughts, not so subtly reminding me that our bond would never be broken, least of all by changing locations and doing drugs.

Even in the middle of my cosmic dance on Long Island Sound, I occasionally felt the sorrow generated by my brother’s presence creep in, slowly and inexorably. This time, my altered perceptions absorbed Melvyn and his aura with barely a whimper. I didn’t panic; no ambulances had to be called. I simply rode the whirlwind to its conclusion: the good, the bad, and the ugly.

By then I had learned enough about how to guide myself through a psychedelic experience to understand that walking the Via Dolorosa (“the way of grief”) can be an important part of the experience. After all, the language we used to describe an acid trip or some other mind-altering experience employed such phrases as “ego death,” states of being one must travel through to reach the true center of consciousness, where the pain and suffering brought on by human folly melts into divine nothingness.

Our perceptions of the power of psychedelic drugs came from our readings of Buddhist philosophy and certain practices found in the Tibetan Book of the Dead, which had been appropriated by the Harvard psychedelic guru Timothy Leary for his own usages. In terms of getting high on psychedelics, it probably amounted to nonsense, but if that got us through bad experiences, what was the harm? In fact, the truest thing I had learned about acid, peyote, mescaline, magic mushrooms, and even things like lowly marijuana was how strong these substances were. One could believe anything behind their power to distort the senses and disrupt the orderly flow of one’s mind.

In my brother’s case, he walked the Via Dolorosa his entire life.

In some societies, my brother might have been revered as a holy man, treated with respect and deference. In our world, he was crazy. A looney-tune. A moron. No one in polite society called him those terrible names, of course, at least not in public. I called him those names, in private and in public.

Divorced from the rest of “normal” society by his multiplicity of psychiatric afflictions, my brother grew up inside his own life. It was not a life that anyone would have chosen, but it was his, thrust on him by nature. His world was rigidly self-contained. He was the only permanent resident. He could relate to the “outside” when he chose to, but those were rare moments. My parents and I had to do the work required to enter his world. It was a hard, frustrating task, but there were occasional payoffs, if one worked hard enough. Small flickers of light would dance in his eyes on those rare moments when he was able or willing to enter the world of the others—our world.

This brief description of my perception of Melvyn’s affect and demeanor may remind some of the classic symptoms of autism, or as the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV) terms it, “Autistic Disorder.” The DSM’s list of symptoms includes: Marked lack of awareness of the existence or feelings of others; no or abnormal seeking of comfort at times of distress; no or impaired imitation (e.g., does not wave bye-bye, does not copy mother’s domestic activities, mechanical imitation of others’ actions out of context); no or abnormal social play; and gross impairment in ability to make peer friendships.

Melvyn did display some or all of these manifestations at various times throughout his life, sometimes all of them at once. The diagnosis of autism was not generally heard during the time of Melvyn’s development, and even if it had been, the tagging of Melvyn as autistic, or “on the spectrum,” may not have made a difference in my parents’ comprehension of their son’s many aberrant behaviors. In retrospect, the gap that existed between Melvyn and the rest of the world would surely have remained—in fact, did remain—for his entire life.

But Melvyn did not live in a vacuum, despite all of the obstacles that separated us. Melvyn—the fact of Melvyn—exerted a profound influence on everyone who came into his world. My parents struggled for their entire marriage under the weight of Melvyn’s conditions.

Some families, when faced with crippling mental disabilities in a family member, bond together and face their futures in some kind of harmony. Other families fall apart, unable to face the fact of a terrible intruder in their midst. My family went the latter route.

When Melvyn’s strangeness could no longer be ignored or explained away, my parents’ reactions took very different forms. Over the long term, my father grew more distant and depressed, and he began to blame my mother more and more for Melvyn’s problems. My mother adopted the pose of a martyr, taking verbal abuse from my father that increased with passing years. My mother became “Long-Suffering Elsie” in the eyes of friends and family. The perception wasn’t entirely fair. She could still laugh and socialize and have fun playing the piano, but there was no doubt that something deep and sad had possessed her. One can argue that we all affect each other simply by being in each other’s lives, but living so closely with someone of Melvyn’s uniqueness takes that rather obvious observation to a very different place.

As Melvyn’s wrongness became more and more pronounced, my parents turned their gazes on him and never looked away. My developing antisocial behavior and rock-bottom self-image took a backseat to Melvyn’s much bigger problems. My parents missed the danger signs in my young life early on. Their concentration on Melvyn bored like drilling tools into Melvyn’s being, as if my parents could mine information from him about his strangeness. They watched in mounting horror as he transformed from a seemingly normal child into an alien creature lurching toward entropy. They reacted to the early years of Melvyn’s thwarted development with shock, disbelief, denial, increasing pain, depression, and cruelty.

The fact that it took years for Melvyn’s first symptoms of psychiatric disorder to appear—holding out hope for my parents where none really existed—exacerbated a situation that eventually flowered into a force that destroyed the fabric of my family.

This may sound like melodrama, but I watched it happen. My mother, refusing to believe the evidence of her eyes, would swear at times that Melvyn was reading full sentences when he was 2 years old, which proved to her that what was clearly happening to him was beyond her comprehension. She was indulging in magical thinking to save her own sanity.

 

Steve Starger is a journalist, author, and musician. His 2006 book, “Wally’s World: The Brilliant Life and Tragic Death of Wally Wood, the World’s Second-Best Comic-Book Artist,” was short-listed for the Will Eisner Industry Award for Best Comics Related Book of 2006.

His latest book is a memoir titled MISFITS AND SUPERMEN: TWO BROTHERS’ JOURNEY ALONG THE SPECTRUM.

Website: www.misfitsandsupermen.com.

Facebook: https://www.facebook.com/Steve-Starger-2222670174658438/