Friday, September 28, 2018

Interview with Michael McMenamin, Co-Author of Appointment in Prague

“KEEPING SECRETS from her husband, Bourke Cockran, Jr., was nothing new for Mattie McGary as she gently kissed her sleeping husband goodbye before she left for her office where she had to prepare two pieces of correspondence. One was an ‘eyes only’ letter to her godfather, Prime Minister Winston Churchill, telling him everything about her new mission, one he never would have approved had he known beforehand. The other was a letter to her husband on the same subject where she most definitely would not tell him ‘everything’. The second letter would be much more difficult to write than the first.”

–From Appointment in Prague by Michael & Kathleen McMenamin

Book Description:
In the novella, Appointment in Prague, one woman, a British secret agent, sets out in May 1942 to single-handedly send to hell the most evil Nazi alive — SS General Reinhard Heydrich, the head of the SD, the domestic and foreign counter-intelligence wing of the SS; second in rank only to the head of the SS himself, Reichsfuhrer SS Heinrich Himmler; and the architect of “The Final Solution” that will send millions of European Jews to their doom.

When British Prime Minister Winston Churchill authorizes the SOE — the ‘Special Operations Executive’ — in October 1941 to assassinate Heydrich, he is unaware that the entire operation has been conceived and is being run by his Scottish goddaughter, the former Pulitzer Prize-winning Hearst photojournalist Mattie McGary. The SOE is Churchill’s own creation, one he informally describes as the Ministry of Ungentlemanly Warfare and, at his suggestion, Mattie becomes one of its Deputy Directors.

Mattie has a history with Heydrich dating back to 1933 and a personal score to settle. In September 1941, when the man known variously as ‘The Blond Beast’ and ‘The Man With the Iron Heart’ — that last coming from Adolf Hitler himself — is appointed Reichsprotektor of Bohemia and Moravia, the remnants left of Czechoslovakia after the Germans had dismembered it in 1939, Mattie is determined — now that he is no longer safely within Germany’s borders — to have him killed. She recruits and trains several Czech partisans for the task and has them parachuted into Czechoslovakia in December 1941.

An increasingly impatient Mattie waits in London for word that her agents have killed the Blond Beast. By May 1942, Heydrich still lives and Mattie is furious. The mother of six-year-old twins, Mattie decides — without telling her godfather or her American husband, the #2 man in the London office of the OSS — to parachute into Czechoslovakia herself and “light a fire under their timid Czech bums”. Which she does, but her agents botch the job and Heydrich is only wounded in the attempt. The doctors sent from Berlin to care for him believe he will recover.

On the fly, Mattie conceives a new plan to kill Heydrich herself. With forged papers and other help from the highest-placed SOE asset in Nazi Germany — a former lover — Mattie determines to covertly enter Prague’s Bulovka Hospital and finish the job. After that, all she has to do is flee Prague into Germany and from there to neutral Switzerland. What Mattie doesn’t know is that Walter Schellenberg, Heydrich’s protégé and the head of Foreign Intelligence for the SD, is watching her every move.


Welcome Michael! Can we begin by having you tell us how you and Kathleen got started writing your historical fiction, Appointment in Prague? Did the movies influence you? Books?
Michael: Well, the book began life as the Epilogue (set in 1942 Prague) to our novel The Berghof Betrayal where my son Patrick was a co-author. The novel was set in 1933 Germany where the evil Nazi, Reinhard Heydrich, gives our heroine Mattie McGary more than enough reason to want him dead. We eventually cut the Epilogue and found a more immediate way for Mattie to put the fear of God into Heydrich.
I hate to waste good writing, however, so I was inspired to expand it into its present novella form to provide a platform for a six chapter preview of our next Mattie McGary + Winston Churchill 1930s Adventure, The Liebold Protocol, a full length novel that will be published in October 2018 where my new co-author will be my daughter Kathleen McMenamin, who has a Master’s degree in Creative Writing from NYU. I did so by adding additional scenes after Heydrich dies focused on Mattie’s capture by SS Counterintelligence as she attempts to flee to Switzerland
My initial inspiration for the Epilogue that became a novella occurred on a trip to Prague for a legal conference where I noticed a sign on the street pointing to the ‘Reinhard Heydrich Museum’. I was taken aback. A museum to Heydrich?? In Prague?? Czechs hate Heydrich!! So I had to visit the museum, which was located in the basement of a church where Czech partisans had hidden after the murder and where the Gestapo found and killed them all. So the museum is more a shrine to them than homage to Heydrich. I knew the general details of Heydrich’s assassination by agents of Britain’s Special Operations Executive [SOE] but at the museum, I learned three new things. First, the SOE agents had been in country for nearly 6 months before they finally did the deed. Second, doctors from Berlin thought Heydrich was going to survive [and he would have except for the fact that the Germans didn’t have access to penicillin]. Third, he lived for a full week after he was wounded and finally died from septicemia.
That extra week in Heydrich’s life was all I needed. Mattie McGary may have put the fear of God into Heydrich in 1933 in The Berghof Betrayal, but given what Heydrich had done to her, I couldn’t pass up the opportunity to let her take her revenge as well by personally killing Heydrich in 1942. So, I envisioned what Mattie would be doing in 1942. Then I put her in the SOE, the personal creation of her godfather Winston Churchill; made her the SOE control officer over the Heydrich assassination mission; parachuted her into Czechoslovakia to find out from her agents why, after six months, Heydrich was still alive; and, when Heydrich initially survived the assassination attempt, I had her come up with a new scenario on the fly where she would gain access to the hospital and poison the bastard herself. Then, when she successfully escaped from Czechoslovakia into Germany on her way to Switzerland, I had SS Counterintelligence capture her before she reached the German-Swiss border. To go further would be a spoiler. Read the book! It’s not that long.
Did you find writing this book came natural or did you struggle sometimes?
Michael: There are always times when you struggle, but writing the 6th book in a series is always easier than the first one, especially if you are expanding something you have already written.
Can you tell us a little about the main characters of your book?
Michael: There are three main characters in Appointment in Prague which take place in 1942: Prime Minister Winston Churchill; his fictional Scottish goddaughter, Mattie McGary, Deputy Director of Churchill’s Special Operations Executive (SOE) and formerly an intrepid, Pulitzer Prize-winning photojournalist for the Hearst media empire; and her husband, Bourke Cockran, Jr., #2 in the London Station of the American Office of Strategic Services (OSS).
All the previous five historical thrillers featuring Mattie and Winston’s adventures, however, take place during the 1930s. Some may question casting Winston Churchill as a key character in a series of historical thrillers set during 1929–1939, his “Wilderness Years” when he was out of power, out of favor and a lone voice warning against the rising danger posed by Adolf Hitler and Nazi Germany. They shouldn’t. Saving Western Civilization in 1940 when England stood alone as a beacon of liberty in a sea of tyranny tends to overshadow Churchill’s earlier accomplishments.
Churchill is, in many ways, the ideal historical figure around which to craft a period thriller. He was an adventure-seeking young man, a fencing champion in prep school, a championship polo player in the army and a seaplane pilot in the early, peril-filled days of aviation in 1910. In between, he was a much-decorated war hero in bloody battles on the Afghan-Indian border, in the Sudan, and in South Africa where his commanding officer nominated him for the Victoria Cross, Britain’s highest military honor, and where he escaped from a prisoner of war camp and made his way to freedom over hundreds of miles of enemy territory. In World War I, while other politicians, safely abed, sent millions of young men to their death, Winston was with his troops in the trenches of the bloody Ypres salient daily risking death himself.
More importantly for the series, Churchill maintained a private intelligence network in Britain and Europe during the 1930s, which often left him better informed than his own government. This fact is a catalyst for our Mattie + Winston adventures. With Churchill at the center spinning his own web, he lures both Mattie and her future husband, the American lawyer, Bourke Cockran, Jr., a former U.S. Army counter-intelligence agent into many adventures.
Winston, a romantic at heart, brought the two young people together in 1929. Romance bloomed but it was not a match made in heaven. Both characters are strong-willed individuals and their Celtic tempers frequently clashed. They met in the 1st book in 1929 where she seduced him; Mattie was seduced by a Nazi villain in the 2nd book in 1931; they became engaged in the 3rd book in 1932; and were finally married at the end of the 5th book in 1933.
Here’s how one Goodreads reviewer accurately characterized Mattie: “Mattie McGary is what every woman wants to be: strong-willed, the ability to take care of herself, and who doesn’t take crap from anyone.”
What was the hardest scene to write?
Michael: I’m not sure it was the hardest, but I had to revise it more than any other scene. It’s where the OSS Station Chief in Switzerland, the very married and notorious philanderer Allen Dulles, sneaks into Mattie’s bedroom and unsuccessfully attempts to seduce her. Mattie, whose SOE training has taught her how to kill or disable an opponent in a variety of ways, stops him cold with only two words.
“Yes, Allen? What do you want?”
“I’ve come to ask permission or forgiveness, whichever you prefer.”
“Neither, Allen, dear, and if you advance even one inch closer, you will greatly regret it. I have but two words to bring both your big head and your little head to their senses.” Mattie said and paused for a beat …
You’ll have to read the book to find out those two words.
They say all books of fiction have at least one pivotal point when the reader just can’t put the book down. Can you give us one of those pivotal points in your book?
Michael: Sure. Mattie has just poisoned the evil villain Reinhard Heydrich in Bulovka Hospital in Prague and is trying to get the hell out of Dodge when she runs into an overly arrogant SS officer who has other ideas. The hospital is in lockdown until they find who set off a fire alarm. By that time, Mattie fears, they will have found Heydrich’s dead body. Mattie blames the fire alarm on one of the nurses on Heydrich’s floor.
“Sascha, of course. No glass of schnapps has yet to survive an encounter with Sascha Besch. I wouldn’t want to be in her shoes when our Nurse Supervisor learns of this.”
Both of the SS guards at the door laughed, but quickly stopped when the SS officer gave them a cold glance. “So why are you in such a rush to leave and where are you going?” he asked in a cold voice.
“Answer my question, Nurse Muller.”
“Back to the Hotel Steiner, of course. My fiancé Paul in the WaffenSS is there on his last night of leave from the Eastern front as I told you earlier.”
“Well, Fraulein, I fear both you and your dear Paul will have to control your, uh, passions until we ascertain who was responsible for the false fire alarm. If it was Nurse Besch, as you say, then you won’t have long to wait.”
“Well, ‘Paul’ — that’s Obergruppenfuhrer Paul Hausser to you — who commands the II SS Panzer Corps, is not accustomed to receiving advice on romantic matters from a mere,” Mattie paused as she leaned in and looked closely at the tabs on the young officer’s tunic, “Obersturmfuhrer, but when I eventually see him tonight, I hope he will see the humor in the situation. For your sake. Anyway, once I pass on to him what a zealous officer you have been, I’m certain he will want you by his side when he returns to the Eastern front tomorrow.”
“Well…” the young officer began, but Mattie cut him off.
“Come with me, Obersturmfuhrer. What is your name please? I must find a telephone and call Paul at the Hotel Steiner and explain to him why I am delayed. He may well wish to speak with you. If he does, don’t hesitate to dispense the same romantic advice to him that you did to me.” Mattie smiled sweetly.
“Hotel Steiner? This is SS-Obersturmfuhrer Ludwig Kleist. I wish to speak with SS-General Paul Hausser.” A pause followed. “Yes, I know what time it is! This is urgent! Put me through to his room now!” A pause followed.
Herr General,” Kleist said and repeated his title. “I am in charge of the third shift security detail for General Heydrich at the Bulovka Hospital. I have in custody a nurse named Marta Muller who claims to be your fiancée.”
Those were the last words Kleist spoke for the next two minutes, other than an occasional “Jawohl, Herr General!” as the young SS officer’s face grew progressively more flushed until Mattie feared he would have a stroke. With a final “Jawohl!” Kleist placed the receiver on the hook and turned to Mattie.
The SS officer’s face began to regain its normal color as he handed the slip of paper back to Mattie. “Fraulein, you are free to leave. I apologize for my ungentlemanly remarks a moment ago. I did not mean to offend. We are all on edge here because of our concern for the well-being of General Heydrich.”
Mattie smiled as she took the paper back. “I take it Paul was not in the best of humor? Well, it’s probably just as well that you didn’t offer him the same romantic advice you did to me. I accept your apology and your advice will remain our little secret.”
Danke, Fraulein,” Kleist said, bowed and clicked his heels.
Will there be a follow up book to Appointment in Prague or other books in the near future?
Michael: You bet. The Liebold Protocol, a Mattie McGary + Winston Churchill 1930s Adventure will be published in October 2018. It is set mainly in Nazi Germany in the days leading up to the ‘Night of the Long Knives’ on 30 June 1934 where the SS murdered most of Hitler’s political enemies. It was written with my daughter Kathleen McMenamin. She and I are currently at work on The Prussian Memorandum, another Mattie + Winston adventure that will be published in 2019. It’s set in 1934 and tells the true story about the legislative process in Germany that led to the 1935 Nuremberg laws making German Jews second-class citizens and forbidding their marriage to Aryans. The Nazis used American state legislation and case law re racial miscegenation and second-class citizenship in the U.S. — what the Germans called ‘The Prussian Memorandum’ — as models to do the same to Germany’s Jews. Neither the Americans nor the Nazis want this made public. Any journalist — like Mattie McGary — who attempts to do so will be placed in peril. But Mattie — who senses another Pulitzer Prize — is “strong-willed, [has] the ability to take care of herself, and … doesn’t take crap from anyone.” We’re not there yet, but my money is on Mattie.

Monday, September 17, 2018

The Question of Empathy: Searching for the Essence of Humanity by Carol Jeffers

The Question of Empathy: Searching for the Essence of Humanity by Carol Jeffers, Creative Nonfiction/Speculative Nonfiction, 209 pp., $16.95 (paperback) $5.95 (kindle)

Author: Carol Jeffers
Publisher: Koehler Books
Pages: 209
Genre: Creative Nonfiction/Speculative Nonfiction

What if we all had a power to connect with others, to understand what they are feeling, what they are thinking? What if such a power was flighty, unreliable, open to true understanding or total confusion? Would that make us better human beings? In The Question of Empathy, Carol Jeffers explores a power that exists today within each of us and its ability to connect and to delude.

Have you ever wondered about empathy, what it is and why it matters? What makes us human and capable of incredible caring, total savagery, or worse, complete indifference toward each other? Are you looking for ways to better understand yourself, the people around you and across the world? The Question of Empathy entreats you to explore this hard-wired capacity, not through rose colored glasses, but with an honest look at human nature. Philosophy and psychology, neuroscience and art lead the way along a journey of discovery into what makes us who we are and how we connect to others. It isn’t always easy, but then neither is real life. The Question of Empathy offers a roadmap.



Chapter I
In the Rhizome
Strolling among the dunes and driftwood, and the mock heather and yarrow of Moonstone Beach on California’s Central Coast, you are likely to come across a humble wooden bench made remarkable by what it declares, by the empathy it stirs, and by the stories it invites us to share. Rough and weatherworn, the bench is evocative of the salt air and wild daisies, the restless tides reshaping the continent’s rocky edge, and the wide sunset views it is meant to afford. But it has become legendary and invokes much more than a simple seascape. From its niche in the coastal ecosystem, this bench triumphs in returning us to the cultural sphere, to the human hands that created and mounted a small plaque to the backrest, and to the soul forever inhabiting the carved letters proclaiming: “I shall always love a purple iris.” Like the bench itself, the thought is at once simple and elegant, forthright and mysterious—a paradox, to be sure, but also a metaphor for that innate capacity enabling us to wonder, to imagine, and thus, to empathize.
     If the plaque captures your imagination, as it has mine and others (judging by Internet postings), then you may wonder whose words these are. Full of whimsy, or poignancy, or both, they resonate, inscribe themselves upon our hearts. Who is it that we have to thank for this unexpected delight, and for the images it inspires, the stories it prompts? What is the meaning, symbolic or otherwise, of the flower we imagine, springing from its rhizomic underground network to be capped off by its distinctive beard, caterpillar-like and golden in the April sun? Or maybe we envision a couple who once shared the bench. Is she gone now, his purple iris? What was her story, or his? Theirs? What is ours, we might also ask, as each of us takes a small part in creating this larger narrative, one echoing beyond the beach itself? And where might that narrative take us?
     Each time I return to Moonstone, the bench reminds me of the story always unfolding even as it retells itself, an ever-expanding narrative that begins with our shared curiosity and appreciative smiles and builds to the empathic response that connects us all to the spirit of the plaque and the mystery of its maker. I watch as others pause to read the line, then turn from it slowly, thoughtfully, before continuing on to the observation point where the best views of the otters and seals are to be had. And I wonder what images, what stories the bench—our shared touchstone—conjures up in them.
     Perhaps there are those weekenders who, like me, envision a loved one—an uncle, in my case—who cherished their iris beds, tended them faithfully through the summer and fall, and patiently awaited the blossoms, lavender and lovely, in the spring. Or perhaps they think of their children who, like my own, found the quivering petals fascinating, and delighted in stroking the fuzzy beards. I wonder, too, if, upon their return to the routines of the work week, these weekenders might Google the bench’s poetic proclamation and come across the image of two purple irises, one pinned on each side of the plaque. If they do, perhaps they, too, will savor the moment and its mystery, even as they wonder about this online tribute and the new connections and stories it encourages. 
     Like the iris rhizome itself, these connections are bound to crisscross, to entangle and create an unruly latticework of horizontal stems, with their all-important nodes sending out new roots and shoots that allow for more connections still. And like those in the botanical sphere, connections of the cultural kind are often random, sometimes serendipitous, and always meant to replenish the rhizome, if not to expand its reach. As a professor of art education, I find that my stories and images of the Moonstone bench are tightly intertwined with Van Gogh’s Irises (1889), which, in turn, overlap with former students’ experiences of the painting. I envision the canvas at the Getty Center in Los Angeles—its stunning blues, violets, electric aqua, a splash of white—leaping from the museum wall. In the perpetual crowd gathered before it, I imagine my students over the years, so many resonating with the artist’s work and poignant life story. They read the wall text and learn that Vincent began the painting upon his arrival at the asylum in Saint-Rémy in May, 1889, and they almost always agree with brother Theo’s assessment that the composition, bursting with more than two dozen purple irises, a solitary white one among them, is “filled with air and light.”
     In another instant, I am whisked off to the South of France where I follow Van Gogh’s path, hiking the trail that led him and the pain he carried from the center of Saint-Remy past a mulberry tree still young in his day, past the stone farmhouses, old even then, past the dark green cypress trees and pale gold wheat fields rising up to meet the asylum on top of the ridge. I stand in Vincent’s meager cubicle of a room—or one very much like his—and look out the window at the garden below. The lavender beckons now, but I imagine the irises that bloomed a month or two earlier, and try to get a sense of what he saw, a feel for his world in Provence in what turned out to be the last year of his life.
     In still another image, I am back in the classroom, drawn into one of my student’s assignments. Christina, a twenty-something prospective elementary teacher, is explaining to the class why she has chosen Van Gogh’s Irises to serve as her personal metaphor. While growing up, the wistful Christina tells us, she had always felt different from everyone else, a painful, sometimes humiliating, and always lonely experience for her. But now that she is older, she sees herself as the white iris: unique, but not alone, a part of the iris garden’s beautiful air and light. Holding up her reproduction of the painting, she smiles and says she is proud of her individuality, her identity, just as she is proud to be a contributing member of the group. Her classmates smile back, an affirmation welcoming her into their purple midst, and I am convinced that Christina will always love a white iris.
     What is this wonder that allows us to connect across time and space, or to connect at all? What allows us—compels us, even—to snatch these existential moments from afar, from across the room and hold them close? They are as random as they are resonant, and somehow these empathic tangles twist within our corporeal and spiritual beings, knotting the two together.
If the answer lies matted in the rhizome, then we must also acknowledge that bamboo and crabgrass are part of this metaphor, their crisscrossing roots and shoots bound to complicate the question of empathy. Are we meant to see ourselves, backs bent, brows sweating, chopping back the bamboo’s unruly growth? Must we remember the knuckles bloodied again and again clawing at the stubborn crabgrass, or are there other metaphors to raise us from our knees, free us from the paradox that gives the bench’s purple iris both its certainty and uncertainty? Perhaps we could tell different stories—tales of wizards and incantations, say—that cast us into a land beyond the rhizome. Or we might share different images, of miners digging into the depths, detectives searching for clues, all intent upon unearthing the wonders of human connection.
We might understand our connections as demonstrations of empathy’s work, outward manifestations of an inner capacity and will to survive as a group-living species. Connections may be obvious, the critical nodes in the human rhizome that permit us to feel rooted, secure enough in our own situations even as we send out shoots seeking to explore, and finally, to understand the situations of others. But we might also know that empathy can be as elusive as the breeze in a bamboo forest, whispering cryptically, sometimes stirring us, but often leaving us to fall silent, exasperated and alone.


Through her writing, Carol Jeffers blends narrative nonfiction and fiction to more fully explore the human condition. She is the author of works both in short- and long-form. Her forthcoming book, The Question of Empathy, was named a semi-finalist in the 2017 Pirates’ Alley William Faulkner Writing Competition (Walter Isaacson, judge). A Professor Emeritus of Art Education, her interest in empathic listening began in the classroom years ago when she and her university students explored works of art that served as personal metaphors. These experiences and related interactions with art, self, and others were the subjects of Carol’s academic writing published in refereed journals, edited volumes and a single-author book (Spheres of Possibility: Linking Service-Learning and the Visual Arts) during her university career.




Spine Chillers: Big Bad Wolf by Nancy Gray #juvenile #horror

Spine Chillers: Big Bad Wolf by Nancy Gray, Mid-Grade Horror, 112 pp.

Author: Nancy Gray
Publisher: Independent
Pages: 112
Genre: Middle Grade Horror

Jane is ecstatic when she gets the role of Red Riding Hood in her school play, but she didn’t realize that they’d be using the stuffed wolf prop as the Big Bad Wolf. That tattered old prop has always scared her and, lately, she has been having strange dreams about it that make it seem like it’s something more.

Jane will have to get help to save herself from the hungry spirit that has haunted her people and her nightmares before it consumes her, or worse, escapes the prison of the last creature it took to sate its horrible appetite.



Chapter 1 - Casting

            “I can’t believe it!  I got the part!” Jane hopped up and down as she looked over the casting sheet one last time to make sure.

            Her best friend, Sophie, laughed, “I knew you would.”

            “I didn’t think so.  I did awful at the audition.  I tripped over my own feet.”

            “Mrs. Rose knew you were nervous because you wanted it more than everyone else.  You deserve it.”

            Jane sighed. “Are you sure that you have to go on that trip?  I want you to be here to at least see the play.”

            Sophie shrugged. “I know.  But, it’s been awhile since I’ve seen my cousin.  Besides, I like spending time on the farm.”

            “I’ll get my mom to tape the show.  We can watch it when you get back.”

            Sophie smiled. “That’s good.  Then at least I’ll get to see it later.  It should be pretty scary.  Well, I’d better go and you’d better too.  You don’t want to make a bad impression being late on the first day.  Good luck, Red Riding Hood.”

            Jane practically skipped to the stage and lined up with the other students that were chosen for parts.  She glanced down the row and frowned.  Patrick was grinning at her with his squinty green eyes and freckled face.

            She snapped, “What are you so smug about, Patsy?”

            He chuckled. “Well, Janey Jane, Let me guess, you were so excited you didn’t read the rest of the cast sheet, right?”

            Jane looked away, embarrassed. “Well, I didn’t want to be late.”

            He laughed harder. “I’m going to be playing the wolf, Red.”

            She ran a hand down her face and murmered. “I knew it was too good to be true…”

            Mrs. Rose walked up to the stage and handed out the scripts to the row of excited students.  Everyone sat down and began to page through their individual copies.  Patrick glanced at Jane with an infuriating grin, but she simply rolled her eyes at him one last time and then moved back to avoid looking in his direction again. 

            Mrs. Rose walked in front of them and said, “First of all, congratulations on all of your parts.  Since this is a Halloween play, I chose the rolls based on who could portray their parts in a suitably ominous way.  Remember, these are fractured fairy tales, so nothing is supposed to end well.  And, the common element in all of them will be the big, bad wolf.”

            Patrick stood up and gave a quick bow.

            Jane thought, “Show off…

            Mrs. Rose continued, “The main theme is Little Red Riding Hood, but as you can see, there will be elements from other stories incorporated.  While she’s going to grandma’s house, she’ll run into Snow White being chased by the woodsman, and themes from other stories as well, as she continues to get lost further and further in the woods.”

            A kid with round glasses and unruly hair spoke up. “Can I play with different colors of lighting depending on the fairy tale?  And can I use strobe effects?”

            “Well, probably no strobe effects.  We wouldn’t want anyone in the audience to have a seizure.  Still, I think different colors according to the story would be excellent.  Everyone, this is Kyle.  He just joined the club as our lead technician.” 

A few people clapped, but Jane clapped a little more than the others. “Thank goodness, someone finally volunteered to be techie, instead of all the backstage work being done by someone who didn’t get a part.  The lighting might actually be good this year. 

Kyle was in a few of her classes, but she never really talked to him.  He didn’t seem the type to be interested in the Drama Club.  He was always playing with his laptop or some kind of electronic device. 

            Patrick whispered in her direction, “I think someone’s in love.”

            Jane whispered back, “Bite me, Patsy.”

            Patrick said, “Maybe I will…AWOOOO!”

            Mrs. Rose tapped her foot impatiently. “Save it for the rehearsal, Patrick.”

            They both muttered an apology and quickly looked at the ground.

            “As you know, we don’t have a good budget this year, so I want all of you to look for old costumes and props that we can reuse.  The basement under the stage is a good place to start, as well as the various trunks backstage.  I believe, if we can get it working, the stuffed wolf would make a great prop too.  There should even be a speaker inside of it from our last play.  Kyle, see if you can reconnect it.”

            “Okay.  It should be pretty easy.”

            “Jane, you go with Kyle and show him the ropes.”

            She nodded. “Yes, Mrs. Rose.”


Nancy Gray has published a number of works including her middle grade series Spine Chillers. She also published her YA fantasy series Blood Rain. Her short story “Chosen” appeared in Jim Henson’s The Dark Crystal Author Quest: a Penguin Special from Grosset & Dunlap. Her work also appears in various anthologies.

Nancy Gray has been writing for over ten years. Gray lives in South Carolina with her husband and two daughters. She enjoys books, video games, anime, manga, and horror.
Her latest book is the mid-grade horror, Spine Chillers: Big Bad Wolf.




Monday, September 3, 2018

Taking Control: Rick's Story by Morgan Malone @mmaloneauthor

Taking Control: Rick's Story by Morgan Malone, Contemporary Romance, 170 pp., $10.99 (paperback) $2.99 (Kindle)

Author: Morgan Malone
Publisher: Independent
Pages: 170
Genre: Contemporary Romance

Summer on the Jersey Shore and all Rick Sheridan wants is some solitude at his beach house. Then he spots a lean, leggy blonde coming out of the surf and his plans are shot to hell. And the dangerous looking knife strapped to her arm tells him this is no damsel in distress. As a not-so retired Marine, at 51, Rick’s learned that nothing is for certain, plans can spin out of control and shit happens.

Wounded and weary from one too many wars, Britt Capshaw thought a summer at the Shore, hanging out in her family’s beach cottage, would help her heal. And figure out what to do with the rest of her life. Out of the military, disillusioned and distrustful of any two-legged male, Britt’s one love is Alex, the yellow Labrador retriever she rescued from Afghanistan.

Rick and Britt are immediately attracted to one another, but after years in combat, they are wary of letting down their guard, of giving up control. The summer heats up and fireworks are flying between them even after the Fourth of July. But, ghosts from their pasts haunt them and finally bring them face to face with some dark secrets that may destroy the fragile trust they’ve built.

Can Britt trust Rick with her dangerous past? Will Rick be able to let go of the rigid control he needs to keep Britt and himself safe from more heartbreak? These two brave souls fight against surrendering their hearts and finally finding love. Who will win?



He stood before the French doors to the deck, with a large mug of steaming black brew cradled in his hands, letting its warmth take away some of the chill that had surrounded him for the last several months. I’m freezing. And it’s not the air-conditioning. It’s my damn frozen heart. Rick pushed the doors open, letting the heat of the sun and the smell of the ocean sweep into his house. He stepped outside, breathing deep, relaxing just a little. Yeah. This is what I need. A summer at the Shore, a few projects, and plenty of quiet—then I’ll be back to my old self. Chuckling as he mentally reminded himself of just how “old” his self was, Rick raised the cup to take a long sip of coffee.

He saw the figure emerging from the waves almost directly in front of his cottage at the same moment he heard the loud barking of a nearby dog.

What the hell?

She was a modern-day Botticelli’s Venus, with the waves foaming around her legs. Long, long legs, lean and tan, disappeared into a bright blue bikini bottom, just visible under the blue and white swim T-shirt that covered a long, muscular torso. Her arms were raised, her hands brushed back sodden strands of platinum blond hair. A swim mask dangled from her left elbow, dropping down into her hand as she lowered her arms. When she stepped from the surf, the woman gave an all-over body shake, drops of ocean water flying off her, glistening for an instant like diamonds in the early morning sun. Then she dropped to her knees so suddenly that Rick lurched forward, splashing coffee as he looked down for a place to leave the heavy mug before he rushed to her aid.

He needn’t have bothered. From the deck of the cottage to his left, a huge yellow dog was bounding down the wooden stairs two at a time in a mad dash to the woman. She stretched out her arms to the animal just before the happy hound collided into her, rolling her into the sand. The woman’s laugh floated on the ocean breeze. Rick straightened, still grasping his cup of coffee and stepped back into the shadows cast over his deck by the second-floor balcony. From his vantage point, he watched the woman ruffle the dog’s fur, the animal prancing and shaking in spasms of pure pleasure. When had he ever experienced such unfettered joy? Rick couldn’t remember. A long, long time ago…maybe.

Who was she? The owners of the cottage next door were an older couple who spent half the year in Florida and half the year on the Shore. Could she be a granddaughter or niece? Or had the couple decided to rent this year? Rick made a mental note to contact his property manager who handled many of the shore homes and make inquiries. He had not planned on having to deal with a stranger; he just wanted some peace and quiet.

The woman and dog were walking up from the water’s edge. Rick eased toward the open doors of his living room, thinking to disappear into the shadows. He just didn’t feel like an early morning encounter with anyone, certainly not the mermaid with those incredible legs who was ambling slowly in his general direction. He stopped suddenly when something caught the corner of his eye. A glint of sunlight on metal. He reached for his pistol, but his waistband was empty. Damn. What is that woman doing with a diving knife strapped to her right bicep? Who the hell is she?


Morgan Malone is the pen name of a retired lawyer who turned in her judicial robes to write romantic memoir and sexy contemporary romance, which always features silver foxes and the independent women who tame them.

Morgan fell in love with romantic heroes after reading her mother’s first edition of “Gone with the Wind” when she was 12 years old. Rhett Butler became the standard by which she measured all men. Some have met the mark, most have failed to even come close and one or two surpassed even Rhett’s dark and dangerous allure.

Morgan lives near Saratoga Springs, NY with her beloved chocolate Lab. She can be found on occasion drinking margaritas and dancing at local hostelries, but look for her most often in independent book stores and the library, searching for her next great love in tales of romance, history, adventure and lust. When she can’t find the perfect man, she retreats to her upstairs office and creates him, body and soul, for her pleasure and for yours. Remember: love, like wine, gets better with age.

Her recent novel is the contemporary romance, Taking Control: Rick’s Story.




A Highland Emerald by Brenda B. Taylor @rayburnlady

A Highland Emerald by Brenda B. Taylor, Scottish Historical Romance, 268 pp., $12.99 (paperback) $3.99 (Kindle)

Author: Brenda Taylor
Publisher: Bethabara Press
Pages: 268
Genre: Scottish Historical Romance

Aine MacLean is forced into an arranged marriage with Sir William, Chief of Clan Munro, yet her heart belongs to a handsome young warrior in her father’s guard. She must leave Durant Castle, the home of her birth on the Isle of Mull, and travel across Scotland in a perilous journey to her husband’s home on Cromarty Firth. William agrees to a year and day of handfasting, giving Aine an opportunity to accept him and his clan. He promises her the protection of Clan Munro, however, Aine experiences kidnapping, pirates, and almost loses her life in the River Moriston. She doubts the sincerity of William’s promises and decides to return to Durant Castle when the handfasting ends. William determines to win Aine’s heart. Will the brave knight triumph in his fight for the bonnie lass?

A Highland Emerald is the third book in the award-winning Highland Treasures series. The novel tells the story of Aine MacLean and William Munro and is the prequel to A Highland Pearl.


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Chapter One

Isle of Mull

Isle of Mull

Scotland, 1486 A.D.

My father sat on his usual chair in front of the crackling fire, staring at the flames with dim eyes, a fur robe wrapped around his broad shoulders, the deerhound curled at his feet.

“Where are you going, Aine?” he asked with his back turned toward the stone, spiral staircase where I stood. “Come, sit with me for awhile.”

I pushed the arisaid from my shoulders, letting it drop to the floor, then stepped over the wrap, making my way to the stool where my mother's embroidery frame stood. I took a seat and watched the flames.

Without turning his head, my father, Lachlan Og MacLean, eighth Chief of Clan MacLean and fourth Laird of Durant Castle, asked, “Where are you going?”

“How did you ken 'twas I?”

He never ceased to amaze me with his uncanny knowledge of events around him although his eyes, so dimmed by injury, saw very little.

“I heard the rustle of your skirts.” Da extended his hand for me, so I rose and hugged his neck. He smiled, embracing my arms. “And I ken your scent, lass. ’Tis so like your mither's. You use the same scented soap as she.”

“Aye, but from so far away and with the smell of burning wood and dog in your nostrils?”

“Your odor is a different pleasantry among the usual burning wood and dog. It stands out in my memory as does the pleasant odor of your mither.”

He smiled broadly, showing still straight, white teeth beneath a greying beard. I could almost feel his penetrating gaze upon me as in the days before a battle injury took his sight.

He asked, “Where are you going this dreary night?”

“Here, Da. To sit beside you and talk of the feast on the morrow.”

“Don't try to deceive me, lass. I heard the sound of your arisaid dropping to the floor. You are planning a tryst, I feel certain.”

His dimmed gaze pierced through to the depths of my soul.

“I could see the turn of your head toward him each time he spoke at the eve’s meal.” A line formed between my father’s brows and a shadow darkened his face. “You are to marry the Munro.”

“I dinna love William Munro.” My voice began to rise, and I struggled to control the cry climbing from the depths of my heart. “I wanna marry him, Da. You promised I could wed for love, not convenience.”

The cry emerged from my lips. I buried my head on his shoulder and sobbed.

Da rose, grabbed my hand and pulled me to face him, wrapping his powerful arms around my shoulders. He stroked my hair and planted a kiss atop my head. Disturbed, the great dog stood.

My heart ached to please Da, I loved him so. His tender embrace brought back memories of my childhood when he comforted me after a fall or some aggravation caused by my three older brothers. We stood for a long time.

He gently pushed me away, looking into my eyes and planting a kiss on my forehead. “I only want the best for you, sweetling. You’re my heart, you ken. I dinna wish to leave this world without you being in the care of a good mon. The Munro is a good mon.” He hesitated then added, “With wealth and title.”

I looked into his faded blue eyes that once shone with the brilliance of the azure sky on a sunny day. He could only see the outline of my face whilst standing close, now. “If you truly desire the best for me, you'll let me marry the love of my heart, not some bloat because of his title. Titles mean naught to me, Da.” Tears streamed from my eyes, wetting my cheeks. I pulled away from his grasp, swiping at the wetness with a sleeve.

“The Munro is a good mon and a fierce warrior. ’Tis nae better for a husband. He’ll be here on the morrow. We’ll have a feast to celebrate your marriage.”

“He’s old. I’m only eighteen summers. I shan’t attend.” Sometimes the stubbornness of my nature overtook good sense. I knew not to speak to my father in such a manner. He also possessed an immovable streak, and his word overruled my desires.

“He’s no’ old, Aine. A few years your senior, but no’ old by any means. When he’s my age, then he’ll be old.”

I continued to sniff, wetting the front of his léine.

“All right, Aine. If that’s the way this game is to be played. You'll be watched until after the celebration and you depart with the Munro.”

The words spewed from Da’s mouth. A sinister, dark shadow cloaked his face. Muscles twitched in his jaws and his hands clenched in tight fists. I stepped back. He abruptly turned, making his way up the stone steps to the upper story bed chambers, feeling the wall for security. When his foot struck the arisaid I’d dropped on the stair, he reached down, seized the garment, flung it with a vehemence I rarely witnessed from him, and continued up the staircase. The large dog followed at his heels. Not knowing what to do, I grabbed the arisaid, wrapped it closely around my shoulders, pulled the hood over my head, then ran toward the door of the great hall. Ellic waited in the garden. I wanted to be near him, feel his embrace, and listen to the sweet words he would whisper in my ear.

I pulled on the large oaken door, reinforced with bands of iron, and stepped into the damp, grey air of gloaming. The large figure of Da’s luchd-taighe, Sion MacLean, filled the portal when I tried to close the door. He put up a massive arm, keeping the door from closing. I stared at him, and he back at me.

“Did Da send you to watch me?” I asked the huge brute.

“Aye,” he answered, stepping out of the keep, but leaving the door open.

“I’m going to meet Ellic Garvie, in case you are wondering. He waits for me in the stables, so be sure to report my tryst to Da. He kens, anyway.”

Ellic Garvie, one of the warriors in Da’s slaugh and a member of his luchd-taighe, held an attraction for me and I for him. I turned on my heels.

Sion grabbed my arm, jerking me toward the door. “You're no’ going to the stables this eve.”

I tried to jerk my arm from his powerful grasp, but he held tightly whilst pulling me toward the door.

Pushing me inside, he said with a hiss, “Stay put, lass, or Laird MacLean will lock you in your room.”

I didn’t answer, only returned his gaze. The big oaf. The door closed in my face, and I heard him walk away. Giving the guard time to leave the keep’s vicinity and enter the outer bailey housing the stables, I carefully opened the large door to squeeze through so only a slit of light shone on the cobblestones, closed the door, then made my way to the garden enclosure beside the keep. Upon entering the garden, I glanced back to make certain no one followed, then took the rose-lined garden path to the very end. Ellic’s dark form emerged from the shadow of an apple tree beside the stone wall. I rushed into his strong, powerful arms. He pulled me close, and I buried my head on his chest. Tears fell from my eyes, wetting his jacket.

Ellic held me away, my eyes met his in the last light of gloaming. Their dark color grew darker and ominous as his lips brushed mine with a tender caress. I could not help but respond. The kiss grew harder, more passionate until he broke away, holding both my arms.

His ale-tainted breath fanned my face. “I love you, Aine. You must come with me to Oban. My aunt works at Dunollie Castle as the lady’s maid. We’ll be married there and I can join the slaugh of MacDougall and perhaps become part of his luchd-taighe. The Laird of Lorne provides well for his people.”

My voice hitched remembering Da’s words. “I canna. Da is having me watched now. The Munro is arriving on the morrow for our marriage ceremony.”

He looked around. “Where is your guard?”

“I sent him to the stables looking for you, but I feel certain he will come here soon.” His lips hushed my words, taking my breath away. I turned my head from his and snuggled into his broad chest, feeling the prickly wool of the great plaide draped over his shoulder on my cheek. “I love you so,” I whispered.

He took my chin, raising my face to his. “Then come with me tonight.”

Suddenly, a vision of my life wed to William Munro flashed through my mind. He was an older man and lived a long distance from Durant Castle, my home. I wanted a young, powerful warrior like Ellic. Da may disinherit me and no longer call me his daughter, but my heart could do naught else.

“Aye. I will come with you. Tell me the way.”

“Who is your guard?” He stepped back, rubbing his chin in deep thought.

“The brute, Sion. He will ne’er let me slip by him to meet you.”

Ellic grew silent, then backed to the stone wall, pulling me with him and gathering me into his arms. We kissed as a full moon rose in the east, casting white, silvery light into the garden. His brown hair glisten in the moonbeams. Ellic was the most handsome of Da’s guards. The thought of leaving him to marry another twisted the inner most part of me into a tight knot. I knew at that moment, I could never marry the Munro.

“Sion will drink and make merry along with the others at the feast. He’ll sleep instead of watch at your door, then you can slip out and meet me by the postern gate.”

“What of the guards at the postern gate? Da will have extra posted during the festivities with so many warriors inside getting drunk.”

“Fret no’, my men and I will take care of the guards. A birlinn is ready to take us across the Straight of Mull to Dunollie.”

The thought of leaving with Ellic made my heart thump until I felt certain he could hear its beating.

“Now go. Sion will find us soon, and you shouldn’t be seen with me.”

He gave me one last lingering kiss, then pushed me toward the garden gate. I hastened down the path, glancing back for one last look at my love, but he was gone. The bright moon lit the pathway out of the garden. I emerged, but did not see Sion in the bailey. Suddenly, a large hand grasped my arm, pulling me along toward the keep. I tried to jerk free, but could not escape the clutches of the powerful guard.

“So you sent me on a wild goose chase to the stables whilst you kept the tryst in the garden. Laird MacLean will be anxious to hear all about it.” He pulled harder.

“Stop you big oaf! I’m no’ a sack of barley to be dragged about.” I wrestled, yanking at his grasp once more and tried not to budge from the spot, but he kept pulling until I stumbled.

We reached the keep’s entrance. He pinned me in front of him, using both hands to open the heavy door, then pushed me through the portal. I tripped on the threshold and fell to the stone floor, bruising my hands and knees. Sion grabbed my arm, helped me up, and pulled me to the spiral staircase. Several of the luchd-taighe milled around the great hall. Some glanced our way, but said nothing. They never interfered with another’s orders. I saw none of my family. Sion followed me up the stairs then to my bed chamber. Opening the door, he pushed me through.

“I’ll send for Breda to care for you, for you'll no’ be coming out until the feast on the morrow.” He stood, eyes stormy. “I’m sorry you fell. I dinna mean to push so hard, but what I do and tell you is for your own good. The laird is determined to keep you away from Garvie or whomever you're meeting.” We continued to stare at each other. Determination rose like bile in my throat. “Do you understand, m’lady?”

“Where are my brothers? They’ll no’ let this unfair treatment continue. I wish to speak to Gillian.”

“Sir Gillian is telling Garvie of the laird’s wishes. Since the mon is a member of the MacLean’s guards, he’ll be allowed to stay and enjoy your marriage feast. Make nae mistake, m’lady, he will be watched.”

The door slammed closed, and my face burned with rage. Where are my brothers and my mother? They would never allow such rough treatment inflicted on my person. Surely, they would come to my rescue if they knew. Surely. I flung myself onto the bed, sobbing. My tears wet the coverlet, so I sat up on the side of the feather mattress, reached for a hand kertch on the small table, and blew my nose. Removing the arisaid and flinging it to the floor, I examined my bruised hands, then pulled up my heavy skirt to look at my knees. A small cut bled on one knee, but they were mostly scrapped and blue. I dabbed at the cut with the hand kertch.

A knock sounded. “Who is it?” I rose and rushed to bar the door if necessary. Sion was not coming back into my room.

“’Tis Breda, Lady Aine. I’ve come to help you prepare for bed,” the maid called through the door.

“Come,” I answered with a sob.

The door opened slowly. Breda entered and observed my cut, bruised knees. She searched my eyes, hers filled with anxiety. “I’ll fetch the healer, Lady Aine. That cut should be cared for.”

“Nae, Breda. Washing with a clean cloth is all that’s needed.” I dabbed at the blood. “Rinse this in the basin, then wash the cut again. It’ll be much better with the cleansing.”

Breda poured water from the pitcher into the bowl, then rinsed the cloth. She brought it back and began to rub on the cut knee. The cold water felt good and stopped the bleeding. She rinsed the rag then washed the cut once more.

Handing me the cloth, she said, “I’ll empty this bowl and fetch more water. Are you certain you dinna wish for me to call the healer?”

“Nae. Bring my mither, and if you see my brothers, send them also.” I needed their broad, understanding shoulders to cry on. My brothers usually took my part in any squabble I had with Da and Mam. Da complained they spoiled me ’til rotten, which in truth they did. One major problem my siblings’ overprotectiveness afforded was their interference with beaus and suitors. No man was good enough for their young sister, and Da encouraged this attitude.

The large oak door opened with a bang. My brother, Young Lachlan, strode to the bedside and pushed Breda aside, examining my knee. He took both my hands, turned them over, then looked into my questioning eyes.

“I’ll speak to Da about Sion,” he said with shards of light glinting in his eyes.

“Nae. Please dinna make matters worse with my father. These are naught but scratches.” I didn’t want my brothers interfering in my relationship with Ellic. They probably knew about our courtship since they knew all the comings and goings in Durant Castle. My brothers were Da’s eyes and ears now.

“You ken the Munro is coming to finalize the marriage contract.” Lachie dropped my hands, lifting my chin to search my eyes. “What are your feelings on the matter, Aine?”

“I care no’ to meet the mon, much less marry him. He’ll take me away to that godforsaken place on the other side of Scotland he calls Ferindonald.” Tears brimmed my eyes. “Away from my family and home. Away from you, Lachie. I dinna care if he’s titled. I’ll no’ go with him.”

“I’ll speak to Da this eve, before the Munro arrives. You're a bonnie woman, Aine. Surely he can find a suitor closer to Durant.”

I buried my head in his wool plaide and wept, wetting the garment.

He stroked my hair for a long while, then pushed me away and planted a kiss on my forehead. “Take care of your wounds, now.”

Lachie turned on his heels with his sword clanking in the scabbard buckled around his waist. Breda began washing the cut on my knee again. She was a good caretaker and I planned to keep her with me wherever I may go, especially if the object of my journey happened to be Fàrdach Castle on the Cromarty Firth.

Mother pushed past Lachie in the doorway. He addressed her, then moved on. She rushed to me, taking the wet cloth from Breda and wiping the wound on my knee. She examined the cut, then turned to the maid and told her to fetch, Màdra, the healer. I tried to tell Mother I did not need the healer, but she would not listen.

“You may get blood on your night shift and bed linens. The cut needs a bandage and the scrapes need plantain salve.” She searched my eyes. “Perhaps willow bark tea for pain, also.”

“Mam,” I protested. “The wounds are small. I dinna need willow bark tea or anything else.”

Mother told Breda to fetch the healer anyway. The maid left, gently closing the door whilst Mam took a clean shift from the trunk at the foot of the bed and told me to stand. She assisted with the laces of my kirtle, then took the garment over my head. She did the same for the blouse, and hung both from a peg on the opposite wall. I grabbed the shift from the bed and put it on. Although a fire blazed in the fireplace, the air felt cold on my body. I moved closer to the fire. A knock sounded on the door. Mother answered, then Breda and Màdra entered the room. Breda held a mug.

I sat in a small upholstered chair beside the fire whilst mother took the other. Màdra quickly examined my hands, opened her leather healer’s bag and withdrew a small glass container of salve. She spread the cool balm over the scrapes and bruises on my hands with nimble fingers, then raised my shift and examined the cut on my knee. Shaking her head, she wiped the seeping blood away with a clean cloth, smeared plantain salve on the cut, then placed a linen square over the wound, tying it in place with another, larger strip of linen.

Màdra searched my eyes, then motioned for Breda to hand me the mug. “I can tell by your eyes, you’re in some pain, m’lady. Please drink the willow bark tea.”

I looked at Mother who nodded. I could not fight the three of them, so taking the mug from Breda, I drank the bitter tea. The nasty brew would help me sleep and get the rest required to resist the demands of my father. I rose and walked toward the bed. Breda placed the mug with the remainder of the tea on the bedside table, pulled back the bedcovers, tucked the coverlet under my chin, then pulled the fur blanket on top of me.

Mother stood beside the bed, brushed the hair from my face, and kissed my forehead. “Don’t hesitate to drink the remainder of the tea if you wake and feel pain.”

I hated being treated like a bairn. “Mither, I am fine. Please stop treating me like a bairn.”

“You'll always be my wee lassie, Aine. No matter how old you are.” She took Breda’s arm, and the three women left my room.

I lay in bed searching the plastered ceiling, thinking of Ellic, and waiting for the potion to take effect on my wakefulness. Mayhap I should do as he asked and slip away with him in the birlinn to Dunollie Castle then beyond. Someplace unknown to my family where we could live in peace the rest of our lives. Maybe I would do just that.


The desire to write historical fiction has long been a passion with Brenda B. Taylor. Since elementary school, she has written stories in her spare time. Brenda earned three degrees: a BSE from Henderson State University, Arkadelphia, Arkansas; a MEd from Sam Houston State University, Huntsville, Texas; and an EdD from Texas A&M University, College Station, Texas; then worked as a teacher and administrator in the Texas Public School system. Only after retirement could she fulfill the dream of publication.

Brenda and her husband make their home in beautiful East Texas where they enjoy spending time with family and friends, traveling, and working in Bethabara Faith Ministry, Inc. She crafts stories about the extraordinary lives of ordinary people in her favorite place overlooking bird feeders, bird houses, and a variety of blooming trees and flowers. She sincerely thanks all who purchase and read her books. Her desire is that the message in each book will touch the heart of the reader as it did hers in the writing.

Her latest book is the Scottish Historical Romance A Highland Emerald.

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