Title:
THE NATURE OF ENTANGLED HEARTS
Author: Emma Hartley
Publisher: Satin Romance
Pages: 277
Genre: Contemporary Romance/Paranormal Romance/Thriller/Chick Lit/Women’s Fiction
Author: Emma Hartley
Publisher: Satin Romance
Pages: 277
Genre: Contemporary Romance/Paranormal Romance/Thriller/Chick Lit/Women’s Fiction
BOOK
BLURB:
The Nature of Entangled
Hearts is a fast-paced, edgy,
romantic thriller, with a subtly supernatural twist. Enter the story of
Elwyn and James, two strangers entangled by their past-life experiences, who
are mired in an unquantifiable present. Throughout the novel they work to
understand the bonds that hold them together, just as an unforeseen danger
threatens to tear them apart.
Elwyn “Derrin” Derringer is a
ceramic artist and a professor at the local college of art in Portland, Maine. She has always felt insecure and disconnected,
unsure of how or why she fits into the world, seeking through her art to fill
in the missing pieces of herself. When Elwyn’s eyes lock on those of a
stranger across the market, everything she has taken for granted as reality is
thrown into question. Understanding blooms in fits and starts,
interrupted by her fears of attachment and eventually by the unwanted
attentions of an obsessed and disturbed art student.
Throughout the novel, Elwyn
discovers reservoirs of strength and independence as she faces these
challenges, endearing the reader with her feisty nature and her fierce desires
to create authentically, to love intensely and to transcend the destructive
links to her past. “The Nature of Entangled Hearts” takes us on a
thrilling ride through past and present, through love and dread, through loss
and reclamation, leaving us thankful that we don’t understand all the mysteries
of the universe just yet, and reminding us never to take our lives - or our loves
- for granted.
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“Ah,
my Beloved, fill the Cup that clears
TO-DAY
of past Regrets and future Fears -
To-morrow
? - Why, To-morrow I may be
Myself
with Yesterday's Sev'n Thousand Years.”
The
Rubaiyat of Omar Khayyam
Translated
by Edward FitzGerald
Prologue
Insecurity nestled in my breast like a
needy child. I grew restless as it sucked something essential from me, thriving
on my offering just as I, in turn, withdrew. I didn’t wish anymore, it seemed
so pointless. I didn’t wait for some great epiphany. I existed, and that was
enough, I told myself, for in contrast with the suffering of the rest of the world,
it seemed only right to be thankful for the quietude of Maine.
I created relative to this insecurity,
allowing it to flow into my work like water moistening clay. Without water,
clay is dust. I thought that without my flaws—insecurity the reigning tyrant of
lesser beasts—that my work would crumble under the weight of its own
mediocrity. So, I let it govern my forms, my choices, my superficial acceptance
of appreciative art collectors. Insecurity was the excuse that allowed me to
embrace inferiority. With hope all but lost of finding any true meaning besides
beauty in the world about me, I crept catatonic through my life, eyes barely
open, heart nearly closed.
I’d spent most of my adult life in the
great state of Maine. Portland
drew me in after grad school and never let me go. There was always some new
allure: The skeletal remains of an ancient pier ascending bleached from the
ravages of low tide, exposed like the ribcage of a long extinct behemoth;
verdigris copper edging along a crumbling slate roof, tattered like the lace on
an old prom dress; the punishing crash of waves against the ferry’s bough,
speeding undaunted through winter waters, as I enjoyed my own private cruise.
This place had almost everything I needed to thrive. Almost.
Might not love play a part, I wondered in
weak moments, in this deceptive spring landscape? Like a lupine seed blown from
afar, rooting along the roadside, might it flourish? Then, how could this
fragile shoot grow strong enough, fast enough, to outpace the onslaught of winter,
or can love thaw the very air around it, creating a protective shield against
the elements? Would time then corrupt it? Erode it like tiny drops of water on
stone, wearing away elasticity and alacrity, making barren what would have
borne fruit?
I had felt winter’s claws dig in, pinning me down like prey, waiting to
crush my spirit. I had felt the rebirth of sunshine and growth, spilling into
crevices nearly abandoned, a resurgence of breath to revive the long dead. The
lost, the lonely, the artistically bereft, we have found ourselves drawn to Maine for an age, it’s the
mercurial edge between civilization and wilderness. We flock here yearning to
flourish, as a tree may cling to a forbidding cliff, rooting desperate between
chinks in granite, gaining purchase against elemental odds: we grow despite
ourselves, our rugged forms belying the improbable tenacity of our hidden will
to thrive, of our frozen desire for love.
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